|
|
Like so many British funny men, Rowan Atkinson is still waiting for Americans to get him the way the rest of the world does.
Atkinson has been a star at home in England and abroad for 20 years with his history-skewering BBC series Black Adder, the sketch-comedy show Mr. Bean and its 1997 movie version Bean.
Yet in the United States, Atkinson's creations have been met with the same sort of cult status as Monty Python's Flying Circus, Fawlty Towers, Absolutely Fabulous and other British TV comedies with fiercely devoted but decidedly fringe audiences.
Luckily for Atkinson, he doesn't need U.S. success to make the movies he wants. Bean, the big-screen adaptation about Atkinson's outrageously mischievous man-child, already was an international hit when it landed in American theatres.
The movie took in a modest $45 million US in the United States but did four times as much business overseas.
Likewise, Atkinson's new spy comedy Johnny English is already a $100-million-plus success worldwide. Whatever it collects in the States is gravy, though Atkinson figures it stands a better chance than Bean to click with Americans.
"It's just a matter of getting people in to see it, because it does have a very broad what I would call family appeal," Atkinson, 48, said during a trip to Los Angeles. "It's certainly worked that way in every other territory around the world, where you actually have family groups going to see it, the elderly aunts and the nine-year-olds, they all go together."
As with Bean, Johnny English has its roots on the small screen in a series of credit-card commercials Atkinson did for TV. The ads followed the misadventures of a cocky yet klutzy British spy and his loyal sidekick.
Atkinson plays the title character in the movie, a desk toady elevated to top-spy status in the British secret service after all the other agents are wiped out. With help from his deputy (Ben Miller) and a beautiful colleague (Natalie Imbruglia), swollen-headed Johnny bumbles after a Frenchman (John Malkovich) suspected of swiping the crown jewels and attempting to usurp the throne.
While packed with Bean-esque madcap physical antics, Johnny English is a much more verbal comedy than Mr. Bean, whose main character was silent in the TV series and spoke sparingly in the movie. The generally goodhearted disposition of Atkinson's inept spy also may earn the character more empathy than the often mean-spirited Bean.
"It's a very simple film. I don't mean to say that that's the kind of film that Americans need. But it's very accessible," Atkinson said. "The verbal jokes, of which there are very few, are pretty simple. There's a lot of visual set pieces, silly visual jokes which anyone in any nationality can appreciate."
Another advantage for the prospects of Johnny English in the U.S.: the villain is French. Atkinson expects lingering disharmony over France's opposition to the U.S.-led war in Iraq may prime American audiences for a comedy with a French bad guy.
"It was entirely fortuitous. It certainly wasn't planned," Atkinson said. "We didn't change his accent at the last minute to the annoyance of French people or to create extra antagonism."
Atkinson often played the villain himself as a youth in school plays, rarely doing comic roles. He began developing his bent for comedy after meeting writing partner Richard Curtis at Oxford, where Atkinson earned degrees in electrical engineering.
Stage performances landed Atkinson on the BBC's media satire Not the Nine O'Clock News in the late 1970s. He moved on to one-man stage shows and other theatre work along with TV's Black Adder and Mr. Bean, the latter spawning a recent animated series.
Atkinson's physical comedy has drawn comparisons to the work of silent-film masters Charles Chaplin and Buster Keaton.
But Atkinson said he was more influenced by French comedian Jacques Tati, whose near-silent slapstick "opened a new world to me of very small comedy, comedy with very dull people doing very dull things, yet how fun that can be. The sheer ordinariness of their lives and jokes. There's such low expectations for comedy in that context, but it can actually be very funny."
Movie credits for Atkinson include Scooby-Doo, Rat Race, voice work in The Lion King and a memorable role as the addled preacher in Four Weddings and a Funeral.
Atkinson has a small part as a guardian angel this fall in Curtis' directing debut, Love Actually, an ensemble romance featuring Hugh Grant, Emma Thompson and Liam Neeson.
Next up for Atkinson likely will be a sequel to either Bean or Johnny English. The fact that both movies did well overseas leaves Atkinson in an enviable position of independence from Hollywood, able to command big budgets from his British backers no matter what the box-office returns in America.
Atkinson will be happy if U.S. success comes, but he won't fret if it doesn't.
"I'm very happy with my London and English life. And I do not want to base myself here in L.A.," Atkinson said. "I'm very happy to come here. I like the place, I enjoy making movies here. I love the way Americans make movies, with a kind of energy and commitment.
"And if people say let's spend a lot of money releasing the Bean movie in the States or the Johnny English movie, then I say great, if you can make it work for you, that's great, and I'll come over and support it. But I can't just sort of throw myself wholeheartedly into that as a pure ambition."
|
|
| |
|
|
|
|
|
Canada AM: Hollywood 'it' couple Ben and JLo
