Creating the look of Luther Brown's Top 14 group number

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    “We wanted to go sexy and opulent with purples and golds, and crazy hair,” choreographer Luther Brown says about the look of the Top 14 group piece.
    Lindsay Zier-Vogel, CTV.ca

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    “It’s a hip-hop-ified Tudor-style. We took out all of the structure of the original period dresses, the heavy fabrics, petticoats and hoop skirts, and added in patent leather,” says wardrobe designer Lee Kinoshita-Bevington.
    Lindsay Zier-Vogel, CTV.ca

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    Lee explains the fabric of the period: "Damask is a tone-on-tone pattern woven into the pattern. Brocade is more three-dimensional, with bubbly, puckering textures, and often has metallic thread woven in to the fabric."
    Lindsay Zier-Vogel, CTV.ca

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    “The tops all have boning in them, to keep the corseted look, but we used a light, flexible material so everything moves," Lee says about the girls' tops.
    Lindsay Zier-Vogel, CTV.ca

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    The detail on the dancers is amazing.
    Lindsay Zier-Vogel, CTV.ca

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    Lee shows off the racks of incredible costumes.
    Lindsay Zier-Vogel, CTV.ca

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    "We researched the period a lot and really wanted to get a good feel for what they wore, but then we really played with that idea," Lee explains about Danielle's costume.
    Lindsay Zier-Vogel, CTV.ca

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    “We had to add in gussets into the arms so the dancers could really move, but we did them in patent leather,” says Lee.
    Lindsay Zier-Vogel, CTV.ca

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    Check out the gold braided accents on Claudia's costume.
    Lindsay Zier-Vogel, CTV.ca

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    The poofy shoulders on Janick's costume replicates the look from the 16th century.
    Lindsay Zier-Vogel, CTV.ca

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    Such incredible makeup on Charlene.
    Lindsay Zier-Vogel, CTV.ca

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    “The necklaces look like royal necklaces, but they’ve got skulls and dollar signs. It’s a bit subversive," Lee says.
    Lindsay Zier-Vogel, CTV.ca

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    Spray painting some silver...
    Lindsay Zier-Vogel, CTV.ca

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    ...and then a stripe of gold.
    Lindsay Zier-Vogel, CTV.ca

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    "The guys’ jackets are Velcro-ed down the front, but we had problems with them staying closed. We had to add in extra Velcro at the last minute," Lee explains as he fits Shavar in his costume.
    Lindsay Zier-Vogel, CTV.ca

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    Denys laces up his boots. "We put the guys in high boots and the girls are in four-inch heels, but they’re big heavy heels, so they match the period look and they’re pretty easy to dance in," Lee says.
    Lindsay Zier-Vogel, CTV.ca

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    Lee says the sleeves look like chainmail under the stage lights.
    Lindsay Zier-Vogel, CTV.ca

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    The guys' costumes needed slits along the side to allow them a full range of movement.
    Lindsay Zier-Vogel, CTV.ca

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    Jonathan fixes his cuffs.
    Lindsay Zier-Vogel, CTV.ca

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    Kloe gets Velcro-ed into her skirt. "All the skirts had to be shortened because the girls were tripping on them," Lee says after a rehearsal on stage. "We took two inches off the bottom."
    Lindsay Zier-Vogel, CTV.ca

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    Jeff gets some help lacing up his boots.
    Lindsay Zier-Vogel, CTV.ca

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    Such a regal look on Nathalie and Edgar.
    Lindsay Zier-Vogel, CTV.ca

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    Mackenzie and Amanda get into character backstage.
    Lindsay Zier-Vogel, CTV.ca

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    Sebastian is ready for the stage. And Lee notes they used a lot of silk in the costumes. "Because it breathes," he explains.
    Lindsay Zier-Vogel, CTV.ca

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